Many shows on television today glamorize the subject matter in which they focus. AMC’s Mad Men glamorizes the smoking and sexism of the 60’s. ABC’s Desperate Housewives casts a shiny coating over the lives of, well, desperate housewives in the suburbs. HBO’s newest series focuses its lens on the era we’ve learned so much about this semester, the roaring twenties. Boardwalk Empire is set in Atlantic City literally on the eve of Prohibition. The tag line for the show reads, “Atlantic City, 1920. When alcohol was outlawed, outlaws became kings.” In October I watched the first three episodes but had to stop. The show was very difficult to watch, albeit interesting. But the violence and harshness of the time was hard to bare. I wondered, would I enjoy this show more after our class? So I stopped watching and let our discussions, books, sources, and blog posts, sink in. With all that new information and mind set I watched the Pilot again, noting every sentence of significance, the music in the background, and any detail that now stood out to me and reminded me of a lesson we’ve learned. I was now “in” on all the facts, names, and history of the time. I took 3 pages of notes, 1,502 words. But does a person have to know about the 20’s in order to truly appreciate the show? Or should one simply tune in to learn and see so many of the things that shaped the era and the very class we’ve shared together?
Unlike most television shows, Boardwalk Empire, is almost entirely historically based. Like Mad Men it must point out the historical going ons of their respected eras, for Mad Men its the death of JFK, the civil rights movement while for BWE (Boardwalk Empire, if you don’t mind) issues such as Prohibition, women gaining the right to vote, and the political leadership of America. The main character is the treasurer of Atlantic City, Enoch Lewish “Nucky” Johnson. Wikipedia, always on stand by while watching the show, proved that the character is very much based on the real life Nucky. Nucky, both in the show and in his real life, is heavily involved in bootlegging, gambling and prostitution, all of which are well depicted in the show. A political figure on the outside showing his support for Prohibition, behind closed doors he reaps the profits of this new law and knows how greatly it is bound to fail. As we had learned in class and Only Yesterday, those against Prohibition were either too drunk to fight it or saw the benefit they may acquire and Nucky exemplifies that. On the eve that Prohibition is to be instated, the mayor of Atlantic City, members of city counsel, and leaders of the law enforcement, join Nucky to a great feast as they toast “to the beautiful ignorant bastards” that may declare the country dry but Jersey will stay wet. He convinces his group of leaders that it will be like the Volstead act never existed, except that the prices will go up. They know, as we learned, America would only realize this all too late. Men will pay anything to get a good drink, especially because the government has made it illegal, which makes it even more tempting (as Tami’s blog post showed us).
The episode goes on to introduce some famous faces we’ve learned about; John “Papa Johnny” Torrio, also known as the “The Fox” was the Italian-American mobster who was part of the Chicago mobster scene, Arnold Rothstein, a Jewish mobster from New York City worth approximately 10 million dollars, and Lucky Luciano, an Italian mobster worth around half a million acquired through drugs, heroine and gambling. While all the men meet to discuss a shipment of Canadian Club whiskey set to arrive the next night, their drivers talk outside. Torrio’s driver says to Nucky’s driver that he believes there is more money than Colosimo realizes in the liquor business because he thinks the law will be too strict on it but he dismisses his own thoughts, “who gives a *%#@ what I think?” Nucky’s guy introduces himself:
“Nice talking to you, Jimmy Dormundy.”
“Al Capone.”
In such a small, underrated, moment, we are introduced to two very real men, one of which we now know will be one of, if not the, biggest mobster in American history.
The episode goes on to show how a mob would acquire their liquor. One way we learned about was how normal everyday people were starting to learn how to make their own beers and whiskeys. In BWE a man running a funeral home starts a liquor factory in the basement. A fake wall opens up to reveal how they make their alcohol: 1 part real, 8 parts water, heat it up, let it cool, then add the alcohol, which is fermented from potatoes, carmel coloring depending on what you want to make whether it’s scotch, whiskey or beer, making up to 2,000 crates a week. The other way we learned about, which BWE mainly focuses on is an import of Canadian Club that is coming in by sea. Nucky agrees to buy all 500 crates for $35,000 every week. Then Nucky sells it to Rothstein for $60,000. But Rothstein gambles at one of Nucky’s casinos racking up a winning of $93,000, lowering his payment to $33,000. The load comes in under the vale of darkness, then moved onto a tugboat, then driven into New Jersey by Rothstein’s own men. The prevalent violence we’ve discussed through only words is shown unapologetically. A group of men wearing ski masks each holding arms set up a false barricade and hijack the shipment. Out of fear the seemingly everyday men start shooting out of fear, after killing all of Rothstein’s men it is revealed that it is Jimmy and Al Capone stealing the shipment from everyone. Meanwhile, Jimmy has sent the FBI and law enforcement to raid the alcohol factory. Back in Chicago Torrio is inside his restaurant listening to music and someone comes in, shoots him, and we can assume it is one of Capone’s men. Before going off to Chicago Jimmy gives Nucky a share of their profits from the hijacking and tells Nucky, “You can’t be half a gangster, not anymore.”
BWE shows how much America was simply distracted and turned a blind eye to all the violence going on. A man is on a stage telling “my girl is so dumb” jokes, rather than our modern version “your momma’s so fat,” in front of a roaring crowd. While the crowd of thousands laugh and the jokes go on, the camera shows us the hijacking of the alcohol, demonstrating what we’ve learned in our class. More serious matters were going on in American politics and the growth of gangs and violence, yet the general public only wanted to be distracted, to believe that their homes are dry and their husbands are sober, rather than look at what is really going on. The episode ends on a song that brought a smile to me, it’s called “I Never Knew I Had A Wonderful Wife (Until The Town Went Dry)”. The lyrics are by Lew Brown, music by Al Von Tilzer, which was released in 1919. Here is the chorus, but I suggest everyone to read the full lyrics from this link: http://www.authentichistory.com/1914-1920/09-fallout/6-prohibition/3-music/1919_SM_I_Never_Knew_I_Had_a_Wonderful_Wife-lyrics.html
“I never knew I had a wonderful wife until the town went dry.
The way I spent my money on women was a crime,
I found that with my wife, I could have had a better time,
I'd sent her to the country and I'd always yell hooray.
But I saw her picture in a bathing suit the other day.
I never knew I had a wonderful wife
Until the town went dry.”
I suggest everyone in our class to watch at least the first episode, but even if you chose not to, based on what I’ve told you, do you think HBO doesn’t glamorize the issue of gangs and Prohibition on purpose? Do you think people can watch BWE to not only get a glimpse into the Roaring 20’s but to get a visual history lesson?